“Our Nixon” from director Penny Lane is a film composed entirely of archival footage following Richard Nixon through his presidency. The footage comes from various news outlets and, most interestingly, from home video captured by top Nixon staffers. The private footage was seized durring the Watergate investigation and has never been seen before.
[Read more...]

IFFBoston ’13 Review: Our Nixon

IFFBoston 2010 Review: Micmacs
The world of Jean-Pierre Jeunet has gotten a little big larger. After the original closing night film for the 2010 IFFB was pulled, organizers scrambled to find a replacement. And with Jeunet’s latest offering, it was the perfect and quirky choice.
As the movie opens, a young boy named Bazil finds himself without a father after he is killed clearing a field of mines. Thirty years later, Bazil finds him the recipient of a stray bullet from a chase happening outside the video store in which he works. After doctors save his life, (but leave the bullet in,) Bazil finds himself homeless and finally meets up with a unique band of outsiders, living in an elaborate bunker in a city dump. The outsiders are the types of folk who only live in Felini movies or, now, Jeunet films. There is a contortionist, a man who insists that he held the world record for distance as a human cannonball, a woman who can call out distance, size and weight of objects with a glance and a man who hunches over a typewriter, reveling in every cliché and delighting in spewing out nonsense. Bazil quickly finds himself part of the family.
One day while out searching for junk to bring home, Bazil finds himself in the middle of the street, with the headquarters of the maker of his father’s killer mine and the headquarters of the maker of the bullet lodged in his head on either sides of him. He suddenly decides to extract his revenge. This being a Jeunet movie, the revenge is elaborate, complicated and very, very unique.
“Micmacs” fits in well with Jeunet’s previous work, with his attention to detail and the unique outlook. Also very evident, is his cast of characters, many of whom have appeared in previous films. I’m not sure where he finds them, but every character in this movie is unique and almost cartoonish looking, which makes the proceedings even more entertaining.
If there is any problem I have with the movie, it’s that there is little danger involved in the caper. The troupe vows to extract revenge, and they do. There’s no worry of whether or not they’ll pull it off, it just happens. However, Jeunet is clearing having such fun with the characters and the story, it’s almost possible to overlook the short comings. Jeunet keeps things moving and, like his other movies, the attention to every detail is exquisite and you easily get wrapped up in the story.
The joy and fun captured in the movie are wonderful and the film races by. If you’re looking for a heavy-handed and preachy movie about the business of warfare, look elsewhere. If you want a fun night out, look at “Micmacs.” -Sam
IFFB Audience and Jury Awards Announced
Both the jury and audience awards have been handed out for the 2009 Indpendent Film Festival of Boston. The winners are as follows:
Narrative Feature:
Grand Jury Prize Winner: CHILDREN OF INVENTION directed by Tze Chun
Special Jury Prize Winner: BEESWAX directed by Andrew Bujalski
Audience Award Winner: STILL WALKING directed by Hirokazu Kore-eda
Documentary Feature:
Grand Jury Prize Winner: CRUDE directed by Joe Berlinger
Special Jury Prize Winner: UNMISTAKEN CHILD directed by Nati Baratz
Audience Award Winner: SHOOTING BEAUTY directed by George Kachadorian
Honorable Mention: THE WAY WE GET BY directed by Aron Gaudet
Short Film:
Grand Jury Prize Winner: INSTEAD OF ABRACADABRA directed by Patrik Eklund
Special Jury Prize Winner: I AM SO PROUD OF YOU directed by Don Hertzfeldt
Audience Award Winner: SHORT TERM 12 directed by Destin Daniel Cretton
Prizes included a free air travel for a year, a free five day rental of the red camera, and free color correction.
The Narrative Feature Jury was comprised of actor Tom Noonan, the Starz Denver Film Festivals’ Britta Erickson, and Variety/Indiewire film critic Michael Jones. The Documentary Feature Jury was comprised of Seth Gordon (The King of Kong), Susannah Ludwig (Stolen), and Josh Koury (We Are Wizards). The Short Film Jury was comprised of James Strouse (Grace Is Gone), Tom Quinn (The New Year Parade), and actress Alison Folland (To Die For, All Over Me).


IFFBoston Review: Art & Copy

“The best way to respond to bad advertising is to make good advertising.” That’s how director Doug Pray introduced his most recent movie, “Art & Copy” at the IFFB. The movie is a study of the history of advertising over the last 50 years, starting in the 1960s and moving into today. [Read more...]

IFFBoston Review: For the Love of Movies

As long as there have been movies, there have been critics. Those well versed in the language and art of cinema, explaining to even the most novice reader or viewer why they’ll like one movie over the other. Gerald Perry’s film, “For the Love of Movies,” follows American criticism from the birth of sound, to the revolution of the internet, stopping to pay homage at the altars of both Pauline Kael and Andrew Sarris. [Read more...]

IFF Boston Review: Kimjongilia

Assuming the mantle of dictatorship and oppression from his father in 1994, Kim Jong Il, the current “Dear Leader,” of North Korea has picked up where Dad left off: torturing, starving and murdering his own people in an effort to keep control. “Kimjongilia,” is a testimonial of those lucky enough to escape, and the harrowing story each one has to tell. [Read more...]

IFFBoston Review: The Missing Person

If one is to learn anything from the writing of Raymond Chandler or Dashiell Hammett, it’s that detecting is a lonely business. For John Rosow, the main character in Noah Buschel’s “The Missing Person,” he knows that fact all too well. [Read more...]

IFFBoston Review: The Brothers Bloom



Opening with a poem recited by con artist historian Ricky Jay, Rian Johnson’s follow-up to his first movie, “Brick,” takes off in the first few moments and heads on a whimsical, and entertaining flight.
The movie tells the story of brothers Stephen and Bloom, two life-long con artists. Stephen is the mastermind, working every angle while Bloom is the front man for the operation, running the con. [Read more...]
IIFBoston Interview: Ian McFarland
In 1985, Slapshot formed in Boston, Massachusetts. Before even performing live, the anticipation for the band was high. One writer said they were a “great live act,” before they ever stepped foot on a stage. The group’s origins come from Boston’s hardcore scene, but the band never stayed within those lines, choosing to lead rather than follow.
“Chip on My Shoulder: The History of Slapshot,” follows the band over their thirty year history, and features rare footage and in-depth interviews with band members. I had the chance to talk with co-director Ian McFarland about the film.
LR: What made you want to make the movie?
IM: The idea for the film about when my band (Blood for Blood) was on a three week European tour in 2004. We were sharing a bus with Slapshot, so naturally that makes you either become really close or puts you at odds with each other . Luckily in this case, we all hit it off immediately. We were constantly laughing—it was definitely one of the tours that I have had the most fun on. I can’t speak for the other guys In my band, but I can say that for me the experience of touring with a band with so much history and that has had so much influence on a subculture was surreal. At the time I was starting to do a lot of documentary and music video work and I was looking for stories to tell. One night I was having a dinner with Chris Lauria (Slapshot, bassist) and he was telling me some really amazing stories about the band and their history when it just hit me that no one had done anything with them before. And in talking with Chris more I realized how interesting their past is. I mean Chris, Mark and the original guitarist Steve Risteen went to Jr. High together and got into hardcore all at the same time. They used to go see Choke’s (Slapshot singer) other bands before Slapshot (Last Rights, Negative FX) when they were literally young teenagers. That was in the early 1980’s; now almost 30 years later they are still friends and doing basically the same things. You don’t see that much these days.
LR: Were you a Slapshot fan?
IM: The first time I heard them was when I was in 14 years old and my friend Chris Moorse demanded that I hear this band that he had just gotten into. The second I heard the first note, I was hooked. There was something raw and fresh about the band that I had not heard up to that point.
LR: What did the band think about your idea? Were they immediately into it? Did you have to convince them?
IM: From the start I wanted to do a documentary film rather than a fan DVD that only the fans would appreciate. I thought that the band had this interesting story that would appeal to a much broader audience if presented in the right way. When I approached the band about the idea they really didn’t think that their story was very interesting and they didn’t think that anyone would want to hear about it. Regardless, they agreed to let me give it a shot and I began work on the project. I think that once we did the first round of interviews with them they quickly realized that I was not out to tell just the history of the band but rather was interested in looking at the opposing personalities of drummer Mark McKay and singer Jack “Choke” Kelly over their 30 year history. I think that they all got really nervous at that point because they realized that this was going to expose their personal sides. Never the less they went along with it.
LR: Can you talk a little bit about the search for archival material?
IM: It sucks, it sucks, it sucks….. I don’ t know what else to say.
LR: Was there one thing that you were surprised to find?
IM: The thing that suprised me the most was that these guys just really don’t take the band seriously and never have. I mean yes, the band started with a mission to put the Boston scene back on the map but that was as far as it went. I don’t think that they ever dreamed that they would be together 30 years later, let alone still be close friends. And in looking at the footage of when they were teenagers and being around them today, they really have not changed to much.
LR: Are there any surprises for Slapshot fans in the movie?
IM: Yes, Choke (the singer) gets really really personal in his interview. The other guys in the band couldn’t even beleive it when they saw the final cut!
LR: What do you want viewers to take away from this film?
IM: A better understanding for what it is like to be in a band and what it can do to a soul over time. It is more than just parties and music.
“Chip,” screens Friday, April 24th at the Brattle theater. Both McFarland and co-director Anthony Moreschi will be in attendance. Slapshot is also scheduled to appear.
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