This great video essay from Fandor goes into the iconic way Spielberg uses shots of characters faces in pivotal emotional, terrifying, and fascinating scenes – and the way it captures the characters moments perfectly.
Check out the video below:
This great video essay from Fandor goes into the iconic way Spielberg uses shots of characters faces in pivotal emotional, terrifying, and fascinating scenes – and the way it captures the characters moments perfectly.
Check out the video below:
‘Cowboys & Aliens’ from the very talented Jon Favreau merges two of my favorite genres, Science Fiction, and Westerns – but does it succeed? Based on a graphic novel by Scott Mitchell Rosenberg, the film opens in the fashion of most typical westerns, a character shrouded in mystery rolls into town.
Our stranger is played by Daniel Craig. He wakes up in the middle of the desert, a strange metal object attached at his wrist. We learn quickly that he’s a wanted man, by the law, as well as an influential land owner/cattle man by the name of Colonel Dolarhyde (Harrison Ford).
The aliens are revealed as a showdown is taking place between the law and Dolarhyde’s men. Alien ships swoop down, snatching up the townspeople. Following the attack, the town puts together a posse to set out and save their friends and family.
The juxtaposition of alien lasers and late 1800s weaponry is amazing. How little affect the humans weapons have on the aliens is fantastic. The story has some interesting twists and turns, and the film has a great start, no doubt due to the talented writers behind the film.
Where the story falls apart is in its third act. Without giving anything away, there are a few twists and turns to get us to the finale, but the path in which we get there is riddled with plot holes. But despite these, the excellent casting and talent and of the actors in this film keeps us engaged.
There is a good mix of puppet work vs CG, but my one gripe with the film is one specific action sequence that involves one of the characters jumping onto the aliens ships. There was something about the effect that definitely took me out of the film.
The film was definitely a good western, but I don’t think it went far enough in staying close to that genre. There is something tragic about many westerns, and ‘Cowboys & Aliens’ was missing that sense of tragedy. Don’t get me wrong, it has its tragedy, but, it definitely felt restrained.
Despite it lacking in some crucial moments, ‘Cowboys & Aliens,’ is an excellent film. Daniel Craig’s performance, coupled with some genuine great moments with a supporting Harrison Ford make this film absolutely worth seeing in theater.
According to New Zealand news site “Stuff,” the next Indiana Jones film will begin shooting next year, with the plot line centered around the Bermuda Triangle.
The source explained that Lucas and Spielberg have been working on a script, and that Harrison Ford is on stand-by for filming next year.
Apparently, they also said that this film will be made in a more old fashioned way rather then the CGI-effects filled previous film.
For what the film was, I enjoyed ‘Kingdom of the Crystal Skull,’ but I definitely felt like something was missing. I was never able to put my finger on it fully, but, something felt awry. This story sounds like it could be much more compelling, and my hope is that they really shoot as much of it without CGI as possible.
Also, it occurred to me, that Indiana Jones could be a franchise where every other one could be a “good” one. Since, Raiders was great, Temple of Doom, so so, and Last Crusade, great. Anyway, obviously I have my reservations, but Indiana Jones was my hero growing up, and I’d love to see a 5th one whether or not I’ll be disappointed in the end. I’ll give them one more shot! But then again, who am I?
UPDATE:
Frank Marshall just tweeted out:
“The rumor about INDY 5 is completely false. Nothing has changed, we are not shooting next year and still in the research phase…”
He helped revive one franchise, why not two? Reports this morning say that Chris Pine, best known for playing James Kirk in J.J. Abrams’ “Star Trek,” movie, will be playing Tom Clancy’s Jack Ryan character in a re-boot of the series. Ryan had been played in previous movies by Alec Baldwin, Harrison Ford and Ben Affleck. The new movie will reportedly not be based on a Clancy book, but instead will be a new original story. The script is still in the drafting stage, so, it is assumed that Pine will shoot the “Trek” sequel before tackling the Ryan role. I kind of fell off with the franchise after “Clear & Present Danger,” so, I’m hoping they get things back on track and produce one or two more entertaining spy movies.
Apparently Shia LaBeouf says Indiana Jones 5 is in the works. The actor told BBC news that “Steven [Spielberg] just said that he cracked the story on it before I left and I think they’re gearing that up.”
Well, I guess we’ll see what happens with this one.
What benefited the viewing of this film for me, was the fact that I hadn’t read a single shred of information on it. I knew nothing more then its basic premise and who was in it. I did not read a single review save for the snippets they highlight in the TV spots. [Read more...]
A new interview with George Lucas explains the tension behind-the-scenes of the recent ‘Indiana Jones and the Kingdom of the Crystal Skull.’ Lucas said that the tension came from the fact that on the new movies, he needed to agree with Steven Speilberg and Harrison Ford while on earlier films, everyone looked to him.
He also dropped this little bomb: ‘really, with the last one, Steven wasn’t that enthusiastic. I was trying to persuade him. But now Steve is more amenable to doing another one. Yet we still have issues about the direction we’d like to take. I’m in the future: Steve’s in the past. He’s trying to drag it back to the way they were, I’m trying to push it to a whole different place. So, still we have a sort of tension. This recent one came out of that.’
I don’t know if this is true or if this is simply Lucas trying to re-write history yet again. (Remember, the rumor going around for years was that the big hold-up was finding a script that Lucas liked?) Either way, Indy 4 has really dampened my enthusiasm for Indy 5.
After 19 years, Indiana Jones is back. The character that so many of us grew up with has returned fedora and all. So, does it live up to the hype? Well, kinda.
I’m not going to go over the plot. Read it somewhere else, if you’re that concerned about it. ‘But the movie,’ I hear you ask, ‘the movie, is it any good?’ Well, kinda. The film is ridiculous in spots, but that’s what you get in an Indiana Jones movie. If you want emoting and fully believable characters, look elsewhere. This is an homage to the 1940s serial films. A lot of action, with bare amounts of plot to hold everything together. However, one gets the feeling that George Lucas and Steven Spielberg are starting to believe the hype. When people keep telling them how great ‘Raiders’ was, or how funny it was in ‘Last Crusade,’ when Indy and his dad were tied together and they kept calling out for each other and then looking in opposite directions. ‘Why not give the audiences what they want,’ you can almost hear Lucas and Spielberg say. Why not? Because you’re the storytellers, that’s why. Your job is to entertain the audience, not to let it choose its own adventure.
The movie is an uneven one. The first hour is all plot and back story, all of which doesn’t amount to a hill of beans because, well, this is an Indiana Jones movie. It’s not supposed to have a ton of plot and back story. Here’s the idol. Here’s the bad guys. And we’re off. However, it takes a good 60 minutes for things to start happening.
There’s a scene with ants where they cover people and eat them alive. Pretty cool. There’s a chase sequence through the jungle with a bunch of different cars. Pretty cool. But part of my problem was the fact that Spielberg and producer Frank Marshall said before the movie came out that special effects would be kept to a minimum. Yet these two sequences are nothing but an orgy of CGI. Does that matter? Well, kinda. It’s a problem when you get taken out of a movie’s action by the fact that the light reflecting off of Shia LeBouf’s pants doesn’t match the other lighting in the rest of the shot. (I bet you never thought your read a dissertation on the reflection of light and Mr. LeBouf’s trousers on this site, did you?)
So, the CGI is a bit crap, the story is a little too involved for a simple action movie, how’s the acting? It’s good. Nothing too spectacular and Cate Blanchett’s Russian accent seems to waver a bit, but, not to a point that it ruins the movie. The end piece of the film is nice, but again, it’s a bevy of special effects. Don’t tell an audience you’re not going to use special effects and then turn around and race as fast as you can to the nearest computer.
But that’s not reason enough to hate this movie. And I didn’t hate it. However, at film’s end, when the lights came up, the only thought that passed through my mind was, ‘eeh. At least it didn’t suck.’ Is that a reason to see a movie? That it isn’t the cinematic abomination that you were scared of seeing? Not really. -Sam
Harrison Ford spoke to the Sun about reviving some of his old characters.
“Oh, Han Solo isn’t interesting to me. It’s a very narrow sort of utility in the story and it was great for my career and it was fun to play at the time but I wouldn’t go back there again. Those pants! (laughs).”
He did cite interest in bringing back characters whose stories would be good enough, naming Jack Ryan, a role he filled in ‘Patriot Games,’ and ‘Clear and Present Danger,’ before passing it on to Ben Affleck. “that’s a character that I think you could revisit acknowledging the passage of time and his increasing age.”
I’d love to see Ford come back as Ryan, I’m a huge fan of the two Jack Ryan films he starred in, though, Ben Affleck did the role justice, it just wasn’t a great movie.
I’m glad to see you back Harrison Ford, just don’t make Hollywood Homicide 2
So after 19-years, it still really is no surprise that Steven Spielberg, and the fedora-donning Indiana Jones raked in $151.1 million dollars since its premiere on Thursday, bringing in $311.1 million dollars worldwide.
‘Indiana Jones and the Kingdom of the Crystal Skull,’ didn’t break the Memorial Day record, set last by ‘Pirates of the Caribbean: At World’s End’ ($139.8 million), ‘Jones’ brought in $126 mil over the weekend (but I doubt anyone is complaining).
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